ANNA GABERSCIK
Writing
linienwallungen. down the buzzing boulevard.
Ein immersiver Performancewalk am Gürtel
mit Texten von Anna Gaberscik, Valerie Melichar & Thomas Perle
Künstlerische Leitung: Constanze Stahr & Paul Spittler
Schauspiel: Ines Miro, Anna Starzinger, Anillo Sürün
Sounddesign: Philipp Pettauer
Assistenz: Linda Schwärzler
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(C): Bettina Isabella Zehetner
Young Thespians’ Toolkit – For Youth Educators and Youth Leaders
The Young Thespians’ Toolkit – For Youth Educators and Youth Leaders, available in English, Icelandic, and German. The Toolkit is a collection of resources, materials, and guidelines compiled and organised to assist youth leaders, educators, and professionals in performing arts education. This 32-page digital publication is available under a Creative Commons License and free to download on this page.
The Toolkit was developed during the 16-month Erasmus+ project, titled “Young Thespians: Performing Art Education for All!” from September 2022 to December 2023, thanks to a collaboration between Reykjavík Ensemble International Company in Iceland and the research institute EDUCULT, and Associated Partner Musisches Zentrum Wien, based in Austria. Starting from the research in Iceland and Austria, through international training and pilot workshops with local youth, the partners gathered immersive tools, focused on inclusivity, that will help youth educators and youth leaders, facilitators of all levels who want to start a project for and with youth.
Focussed on how cultural and creative spaces all over Europe are changemakers in society and havens for resilience.
Österreichische UNESCO Kommission: RETHINKING CULTURAL POLICY Learning from International Experience
Degrees of Separation is an Jump!Star article series that was interactive between13.4.2020 to 3.5.2020. The series examines the social and political implications of social distancing throughout history.
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Part 2 : ANGER AND FRUSTRATION: REBELLING AGAINST SOCIAL DISTANCING
Part 3 : DISORDER AND ABSURDITY IN TIMES OF CRISIS
Part 4 : XENOPHOBIA AND OTHERING: SCAPEGOATS IN TIMES OF CRISIS